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| Selected CD and LP covers - to top |
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| Galar contacted me to do artwork for their sophomore album, and real killer one it is. With new drummer, and and many good tunes, we ended up on a hand drawn cover for this one. Suiting!
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A real pleasure to make a cover for these jolly doomsters in Helevorn. Spain rocks! Printed on a a smooth digipack with a slick 12 page booklet.
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I've been a fan of Evoken for a few years, so I was very thrilled when they contacted me to do artwork for their demo collection. I worked with a few ideas around monuments, storm and the general feel of desolation and abandonment. Most of the work was done while I was traveling this summer.
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| It can't really go wrong with Iskald, they seem to deliver and deliver, and the music is always sharp as a knife. I've done all their artwork yet, starting with the demo, and was very pleased to get the chance to work with their second release. Most of the artwork was based on a series of photos I took, and is meant to reflect some kind of endtimes.
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Tfoes is my favorite band, and it was an undivided pleasure working with this fantastic debut. The print turned out slightly darker then intented, but overall the artwork themed up well with the music and the overall feel of the album.
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Majestic Downfall is by far one of the strongest doom / death metal outfits out there today. Hailing from Mexico, this one man band-affair (with friends) surely has a bright future.
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| One of my first cover designs this one. A doom outfit from Sweden with a handful of good songs. This was released a couple of times on different labels, the last one on japanese label with a nice digipack.
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The slow doomers in Remembrance gave me very much artistic freedom, and their slow doom didn't invite to a jolly affair. I arranged a photosession, and this was the result. A focus on the duality of being alone - walking alone.
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Germanys number one black metal outfit re-released their debut demo/album, and this must have been one of the most thorough covers I've worked one. All of the original artwork was handed me, and I re-worked it together with vocalist Jorge. It ended up as a four-piece digipack, with a 24 page booklet. Heavy!
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I've been working with Slagmaur since the early days, so it was a real treat doing the third re-release of this early album. Svin is one of my absoulte favorite releases from these guys, hard hitting, industrial black doom! What I did here was really just to tear the artwork to the original release apart, and paste it together with some different photos and scraps I had lying around. The typography and layout was done really minimalistic and unorthodox, and suits the obscure artistic expression on this release.
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This is actually a re-release of the original Domfeldt-album, wich had a pressing of 50 copies or so. What I did here was to re-work the original photos used for the first release. The thought was to keep this piece focused on the colors and artwork, and keep the text and symbols to a minimum. What happened here was that the label and distros regarded space on the artwork as empty spots for their logos and just crashed them over the artwork. A few major money-saving errors in addition to this as well, but I think the work maintained some of the original feel and is worth presenting nonetheless.
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| The first release of Slagmaurs "Svin", the first incarnation under the moniker Slagmaur. As usual I had a treat working with this one, being allowed to do much of the artwork by hand. This one turned out a real nice digipack, and the original print is really nice.
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In Slagmaurs own regard, this album is cursed. And I can't say I disagree, about every detail that could go wrong actually went wrong on this one, and it kind of drained on everybody working on the album. Against the all odds, the first release of this one turned out really nice, in digipack format, uncoated paper, artistic booklet, and thorough from start to finish. If you come across the original version of this, you should pick it up. Both this one and the rerelease of "Svin" later came on Osmose Records with wrongfully coated paper.
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Galars first release showcases folky metal at its very finest. Complete woody-woody throughout this one. Was released as limited edition in a tin box (!) through Heavy Horses records in 2006.
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Shining and Den Saakaldte did a 7" split, and I was asked to do the artwork. Pure misantrophy!
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These Mo I Rana-black metalers took it to the next level with this release, and we tried to approach the artwork with a less old school-style than the previous releases.
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| We all put down a lot of work in this first Iskald release wich got a nice portion of well deserved success when finally released to Indie Recordings. High five!
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Pure hard hitting metal with these guys, hopefully they get their well desvered attention soon!
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Many hours of work was put down in this first Neongod album, and the artwork turned out as a good representation of the music I think. Released in a jewelcase with uncoated paper.
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| Unlight is from Germany and plays black metal. Blood and skulls is a reoccuring theme here!
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The hard working guys in Sworn had some success with this first release, a nice piece of melodic black metal. I did a lot of sketches on this one, and we ended up with this front cover.
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Selected merch design - to top
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Slagmaur "Devil and The Wolf" T-shirts.
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In Grief T-shirts.
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At The Ends of The Earth T-shirts.
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Selected poster designs - to top
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Poster for the music event on Bolla And Lillebill-festivalen 2009.
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Poster for the theater event on Bolla And Lillebill-festivalen 2009.
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Poster for the music event on Bolla And Lillebill-festivalen 2009.
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| Poster for the kick-off to the Bolla and Lillebill-festival 2009.
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Various posters for A Midsummer Nights Dream, produced by Bolla and Lillebills teaterselskap. Good stuff.
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Selected band photograpy - to top
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| Galar band photos 2009
Fløyen, Bergen.
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The Fall of Every Season 2006
Rotvoll, Trondheim.
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Iskald 2008
Slottsparken, Oslo.
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| Legiones band photos 2007
Havstein krigskirkegård, Trondheim.
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Legiones band photos 2009
Havstein krigskirkegård, Trondheim.
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